Monday, 24 September 2012

Claire Palmer
Graphics 
1981-84
Previous post 12 July 2012 
This time of year always really reminds me of being a youth arriving in the magical world of Corsham - just so amazing and atmospheric. Here's my latest piece, extolling the love of paint, in a graphic form. 

Thanks for sending these through Claire. It's nice to see Morrissey included in your poets, as I remember seeing him and The Smiths at Chippenham's Goldiggers in 85. I still cherish the programme.

Sunday, 23 September 2012

Jon Woolfenden
Painting
1984-87

Disco Inferno Part 1
2012 Oil on canvas 180x165


It was early doors in the Swordfish and already like kicking out time.  

Wilson was late as ever, so I sat quietly and killed time with some text conversations.  
“I’m having a pint in the land of the Uglies”  I told Sandra.  She said she was sat at her desk, bored, doing her nails. 
“What colour?” I asked.  
“Disco Pink” came the answer.

Folks were screaming – out of control.  

Wilson arrived, eager to go down to the harbour to take some photos, I finished my pint.  

There was this mad scarlet sky silhouetting the beamers.   The Gantry’s of the ice making factory appeared to hover in a swirling mass of fire;

The heat was on, rising to the top.  

The electric lights above the line of work stores quivered and cast warm hues onto piles of gear strewn around the quay.  

Satisfaction came in a chain reaction.

Back in the Swordy, and there’s one tune I have to find on this juke box…..

I couldn’t get enough so I had to self destruct




Part 1.


http://www.hopecovegallery.com/gallery_124258.html

Friday, 14 September 2012

Simon Ward
1984-87
Previous post 15 August

Crane flyTipulidae

First flying sounds of shaking paper,
then gangly Tsars flapping flickbooks,
my fumbling hand catches
the dog eared fling crows feet.
I had one fine leg pencil line,
my hair nets the restless left
softly landing prayers on my neck
with paddling wings
whilst tremoring legs on walls
search for old stories lost in the corners
until ceilings knock them back
like fine rattling chopsticks
balancing wings
with piano playing legs
they teeter around shadows
stupored by the bumping boredom
dabbing the bed of uncertain reason,
their silhouette line
caught in the spiders web.

Monday, 3 September 2012


©Matthew Andrews

Paul St George
1976-79

When I first set up this blog, someone called Paul St George contacted me, this is his story...

Some years ago an artist by the name of Paul St George happened upon a packet of dusty papers in a trunk in his grandmother’s attic. On further inspection he discovered that they had been the property of his great-grandfather, an eccentric Victorian engineer, Alexander Stanhope St George.

Paul began to read through the papers and discovered a veritable treasure trove: diaries, diagrams, correspondence, scribbled calculations, and even one or two photographs. At first, Paul felt a detached interest in this first hand account of social and cultural history. But as he read on, he became more and more absorbed, until, with a sudden thrill, he realised that these papers could have a greater significance than was at first apparent.

The notebooks were full of intricate drawings and passages of writing describing a strange machine. This device looked like an enormous telescope with a strange bee-hive shaped cowl at one end containing a complex configuration of mirrors and lenses. Alexander seemed to be suggesting that this invention, which he called a Telectroscope, would act as a visual amplifier, allowing people to see through a tunnel of immense length… a tunnel, the drawings implied, stretching from one side of the world to the other.


 


Chris Reynolds (originally Pershouse)
Sculpture
1983-1986

The physical process of drawing & mark making is an integral part of my work, each piece is based upon memory, impressions and chance occurrences.

www.chrisreynolds-art.com

Paul Tucker
Photography
1984-87

Image from a series of photographs taken during the major refurbishment of the William Morris Gallery in Walthamstow: another chapter in the life of this historic building. The Gallery invited Paul to document the transition between November 2011 and May 2012. The resulting images show the interior of the building in a process of change, revealing layers of its past as well as the creation of a new layer for the future. What emerges from the vacant, off duty, spaces is the inpouring of light and a sense of scale. The pictures capture fleeting moments and elements that will fade from view as the finishing touches are added to the house before it returns to public life as a gallery and museum.

www.paultucker.co.uk 

Richard Crooks

Sculpture

1984-87

Original post 16 July 2012

Richard has just returned from 6 weeks in Nepal where he has been artist in residence  at the Kathmandu Contemporary Arts Centre (KCAC), Patan.  He even got a write up in The Himalayan Times!

http://epaper.thehimalayantimes.com/PUBLICATIONS/THT/THT/2012/09/02/ArticleHtmls/VALLEY-INSPIRATIONS-02092012009040.shtml?Mode=1